Alison Acheson speaks about Timothy on the Bridge:
“This is a wonderful work. What stands out for me here, what is most pleasurable (and painful) . . . is the layering of the story, the depth. Yes, that fabric. The story stays with me.”
Then, along the way, comments in the margins:
“Love it!”
“Nice. Can really feel their relationship here”
“Powerful”
“The present tense works so well here.”
“Lovely!”
“I like the turn here.”
“Profoundly sad and human.”
“Beautiful.”
“Very well-constructed.”
Lot’s of check marks, which she said are the equivalent of happy faces.
She is an editor, she had some constructive comments. About small things: punctuation marks, names of secondary characters, chapter titles and whether or not to name the journal entries as chapters.
Then she recommended I send it out “to all the big publishers.”
Alison Acheson is an author and creative writing instructor, owner of Writer’s Web Workshop in British Columbia’s Lower Mainland. She has taught at UBC, Douglas College and University of Calgary’s Canadian Creative Writers and Writing Programs
Her children’s books and books for teens are: Molly’s Cue (Coteau Books, 2010), Grandpa’s Music: a story about Alzheimers (2009, Albert Whitman & Company), Mud Girl, (Coteau Books, 2006). Learning to Live Indoors, (1998 Porcupine’s Quill) is a book of short stories.
Her latest is Cul de Sac Kids (Tradewind Books 2011).
A few reviews: (for more, visit: www.alisonacheson.com)
For Mud Girl: “Alison Acheson’s newest novel for teens is a work of brilliance, most closely resembling the work of Canadian YA icon Martha Brooks, yet with an understated genius all its own.”
“In a genre crowded with depressing mediocrity, Acheson has defied the norm by producing a work of high artistic quality that is also fully accessible to young adult readers. . . .Mud Girl is a compelling novel—easily the best YA book of the year. It deserves to be in the hands of every teenager in Canada.
-Michelle Superle teaches Children’s Literature and Composition at University College of the Fraser Valley.
About Grandpa’s Music:” Acheson has done an excellent job in finding the right narrative voice and selecting the right details to keep her characters lovable and the story believable. As a read-aloud,Grandpa’s Music will be sure to bring up an interesting discussion about old people and memory.”
– A retired teacher-librarian, Valerie Nielsen lives in Winnipeg, MB.
For Molly’s Cue: “An Editor’s Choice” Vancouver Sun
For Learning to Live Indoors: Alison Acheson has a gift of clarity. Of the twelve stories in Learning to Live Indoors, four achieve the crystalline in varying degrees. The rest, though less compelling, offer intriguing characters, some delicious twists and prose that remains lucid and assured.’
—Globe & Mail









